music industry analysing diegetic and non diegetic sound

Female Gender Representation (Mulvey, 1975)

Male gender as alpha male (Gauntlett, 2002)

Male gender as sex object/new aged male (Mackillon, 2002)

Youth as depressed law breaking drink/sex obsessed rebel (Hall, 1904)

Youth as fun (Hedbirdge, 1988)

Black as criminal (Hall, 1981)

Working class as well intentioned but dumb (Butch, 1992)Yeah you!

somebody to u

Yeah you!

I used to wanna be
Living like there's only me
But now I spend my time
Thinking 'bout a way to get you off my mind
(Yeah you!)
I used to be so tough
Never really gave enough
And then you caught my eye
Giving me the feeling of a lightning strike
(Yeah you!)

Look at me now, I'm falling
I can't even talk, still stuttering
This ground of mine keeps shaking
Oh oh oh, now!

All I wanna be, yeah all I ever wanna be, yeah, yeah
Is somebody to you
All I wanna be, yeah all I ever wanna be, yeah, yeah
Is somebody to you
Everybody's trying be a billionaire
But every time I look at you I just don't care
'Cause all I wanna be, yeah all I ever wanna be, yeah, yeah
Is somebody to you
(Yeah you!)

I used to ride around
I didn't wanna settle down
But now I wake each day
Looking for a way that I can see your face
(Yeah you!)
I've got your photograph
But baby I need more than that
I need to know your lips
Nothing ever mattered to me more than this
(Yeah you!)

Look at me now, I'm falling
I can't even talk, still stuttering
This ground of mine keeps shaking
Oh oh oh, now!

All I wanna be, yeah all I ever wanna be, yeah, yeah
Is somebody to you
All I wanna be, yeah all I ever wanna be, yeah, yeah
Is somebody to you
Everybody's trying be a billionaire
But every time I look at you I just don't care
'Cause all I wanna be, yeah all I ever wanna be, yeah, yeah
Is somebody to you
(Yeah you!)

Look at me now, I'm falling
I can't even talk, still stuttering
All I wanna be, yeah all I ever wanna be, yeah, yeah, yeah, yeah
(Yeah you!)

All I wanna be, yeah all I ever wanna be, yeah, yeah
Is somebody to you
All I wanna be, yeah all I ever wanna be, yeah, yeah
Is somebody to you
(Yeah you!)

All I wanna be, yeah all I ever wanna be, yeah, yeah
Is somebody to you
All I wanna be, yeah all I ever wanna be, yeah, yeah
Is somebody to you
(Yeah you!)

Everybody's trying to be a billionaire
But every time I look at you I just don't care
'Cause all I wanna be, yeah all I ever wanna be, yeah, yeah
Is somebody to you
(Yeah you!)
'Cause all I wanna be, yeah all I ever wanna be, yeah, yeah
Is somebody to you
(Yeah you!)

Yeah you!

This hit, that ice cold
Michelle Pfeiffer, that white gold
This one for them hood girls
Them good girls straight masterpieces
Stylin', whilen, livin' it up in the city
Got Chucks on with Saint Laurent
Got kiss myself, I'm so pretty

I'm too hot (hot damn)
Called a police and a fireman
I'm too hot (hot damn)
Make a dragon wanna retire man
I'm too hot (hot damn)
Say my name you know who I am
I'm too hot (hot damn)
Am I bad 'bout that money, break it down

Girls hit your hallelujah (whoo)
Girls hit your hallelujah (whoo)
Girls hit your hallelujah (whoo)
'Cause uptown funk gon' give it to you
'Cause uptown funk gon' give it to you
'Cause uptown funk gon' give it to you
Saturday night and we in the spot
Don't believe me just watch (come on)

Don't believe me just watch uh

Don't believe me just watch
Don't believe me just watch
Don't believe me just watch
Don't believe me just watch
Hey, hey, hey, oh

Stop, wait a minute
Fill my cup, put some liquor in it
Take a sip, sign a check
Julio, get the stretch
Ride to Harlem, Hollywood
Jackson, Mississippi
If we show up, we gon' show out
Smoother than a fresh dry skippy

I'm too hot (hot damn)
Called a police and a fireman
I'm too hot (hot damn)
Make a dragon wanna retire man
I'm too hot (hot damn)
Bitch say my name you know who I am
I'm too hot (hot damn)
Am I bad 'bout that money
Break it down

Girls hit your hallelujah (whoo)
Girls hit your hallelujah (whoo)
Girls hit your hallelujah (whoo)
'Cause uptown funk gon' give it to you
'Cause uptown funk gon' give it to you
'Cause uptown funk gon' give it to you
Saturday night and we in the spot
Don't believe me just watch (come on)

Don't believe me just watch uh

Don't believe me just watch uh
Don't believe me just watch uh
Don't believe me just watch
Don't believe me just watch
Hey, hey, hey, oh

Before we leave
Lemmi tell y'all a lil' something
Uptown funk you up
Uptown funk you up
Uptown funk you up
Uptown funk you up uh
I said uptown funk you up
Uptown funk you up
Uptown funk you up
Uptown funk you up

Come on, dance, jump on it
If you sexy then flaunt it
If you freaky then own it
Don't brag about it, come show me

Come on, dance
Jump on it
If you sexy then flaunt it
Well it's Saturday night and we in the spot
Don't believe me just watch come on!

Don't believe me just watch uh

Don't believe me just watch uh
Don't believe me just watch uh
Don't believe me just watch
Don't believe me just watch
Hey, hey, hey, oh

Uptown funk you up
Uptown funk you up (say what?)
Uptown funk you up
Uptown funk you up
Uptown funk you up
Uptown funk you up (say what?)
Uptown funk you up
Uptown funk you up
Uptown funk you up
Uptown funk you up (say what?)
Uptown funk you up
Uptown funk you up
Uptown funk you up
Uptown funk you up (say what?)
Uptown funk you up

stereotypes

Representation Theory

Laura Mulvey (1975) argued women in the media are used as; ‘Erotic objects of desire for males on screen and in the audience,’ (Mulvey, 1975).

Gauntlett (2002) argues males in the media still follow traditional stereotypes as they are shown as, ‘Alpha males who control the action with violence,’ (Gauntlett, 2002).

Mackillon argues something slightly difference, ‘Males are now shown as sexual objects of desire who are more concerned with image,’ (Mackillon, 2002).

Race/Ethnicity

S.Hall said in 1981, blacks are stereotyped as; "The social problem," (Hall, 1981) and this is a stereotype that has been embraced by Hip-Hop culture. 

Theorist Sarita Malik points out the obvious 1998); “The word ‘race’ in the cultural and political terrain has almost universally been aligned with Black and Asian people, as though they are the only racial groups that ‘own’ an ethnicity… Whiteness has been naturalized, as though it is an invisible ‘norm.’ When it is of course an ethnic group like any other. 

Malik argues: “Many feel that Black and Asian audiences are still not sufficiently catered for and that insensitivity towards issues of race and ethnicity still exist. The reality of a lived multiculturalism is not represented in the British media." 

Youth

Stanley Hall (1904):

 “ Adolescence is inherently a time of storm & stress when all young people go through some degree of emotional and behavioural upheaval, before establishing a more stable equilibrium at adulthood." Hall also argued that:
1. The common mood of teenagers is a state of depression.
2. Criminal activity increases between the ages of 12 & 24.
3. Young people are extreme and need excitement; “Youth must have excitement and if this is not at hand in the form of moral intellectual enthusiasms it is more prone to be sought in; sex, drink or drugs.”

 Dick Hebdige (1988) argued youths are stereotyped as mixed metaphors of; “Youth as fun,” and “Youth as trouble maker.”

OLD AGE/DISABILITY

EVANS (1998), drawing on the works of Freud and other psychoanalysis, states:

“Disable people are seen as childish, dependant and underdeveloped and are regarding as ‘other’ and are punished by being excluded from ordinary life. Thus popular images and rhetoric of disabled people abound which comfort us with people who are imperfect, helpless, disgusting, shitty, dribbling – a threat to rigid ego boundaries.

Class

Richard Butsch (1992) who says working class males in the media are presented as; "Incompetent and ineffectual, often a buffoon, well-intentioned but dumb. In almost all working-class series, the male is flawed, some more than others..

Keith Gandal's, in 2007 he said that target audiences are drawn in by the; "Sentimental rags-to-riches story,"

Regional/National Identity

Theorist Andrew Higson (1998) writes; “Identity is generally understood to be the shared identity of naturalized inhabitants of a particular political-geographic space – this can be a particular nation or region.”

On classic example in British Music Magazines of connoting it is a magazine for British readers is using the Union Jack flag and colours.